What Would We Have Done About Nolly? The Noele Gordon and Meg Dilemma - Part 3

Back in 1981, we sent a suggestion to ATV about the future of the Meg Mortimer character in Crossroads. We felt that dropping her was a mistake and that the character had massive potential. We must make it plain, once more, that we don't agree with the Woke, misandrist burblings of Russell T Davies on the issue. Things were sometimes not easy behind the scenes at the motel, but it had nothing to do with a woman being oppressed by men. That's simply Feminist, Marxist model nonsense.

Whatever the difficulties, we felt they could be surmounted - the decision would have been Noele Gordon's - and Meg, the character, could have sparkled her way out of what we regarded as a miserable last few years.

Here, we've polished up and elaborated on our 1981 alternative Crossroads idea. This is Part Three of our little series of articles on the subject.

Part 2 is here.

Our version would have progressed pretty much as it did during the winter of 1981-1982, but with occasional added Meg content.

We would have condensed some of the Mavis's boarding house/motel garage scenes to accommodate some 'Meg Abroad' material. The boarding house and garage were a little too much in evidence during the motel's rebuilding we felt, and although we enjoyed both scenarios, it would have been worth condensing a few scenes for Meg.

So, on with the saga...

Jill returns from the QE2 and tells David what has transpired. David is very relieved that Meg is alright, and pleased that she wants to resume their friendship, but cautious about the notion of a new project. 'Does it involve the motel?'

'I'm not sure,' says Jill. 'I think it might, but I really don't know...'

'Well,' says David, 'I shall look forward to hearing about it when your mother returns.'

Meg visits Matthew in New York and spends some time with Anthony.

At this point we'd hopefully be able to secure a few appearances from Jeremy Sinden.

'It's amazing,' Meg says, looking at her blond haired grandson. 'He's your child and Jill's child, and also Hugh's grandson, my grandson and Charles' grandson. Life is a miracle, isn't it?'

Anthony tells Meg that Matthew has changed him. 'I always baulked at the idea of fatherhood. But I love it. Just watching him... even watching him sleep... I'd never have believed it, but there it is.

'I hope he'll be able to meet Sarah Jane one day,' says Meg. 'She is his half-sister after all.'

'I'm sure he will,' says Anthony.

'Family and friends are the two most important things in the world,' says Meg. 'Good family and good friends are such riches.'

Anthony tells Meg that he has discovered the truth about his father's finances: 'The dear old buzzard was at a pretty complex stage of the deal he was working on when the kidnapping happened. It left him pretty broke at that point, but he would have made a tremendous profit had he lived. As it is, it left a terrible mess for you.'

'I knew it must have been something like that,' says Meg. 'Hugh was far too good a businessman not to have planned everything meticulously for a successful outcome.'

At this point, our memories of Hugh are set free from the terrible cloud created by the writers when Meg was left in the financial lurch after the character died in 1978. We wanted less Meg-martyrdom, and we liked the character of Hugh. An astute and highly experienced businessman, who actually wrote a book on the subject, the scenario of Hugh actually being a financial twit never sat easily with us.

Jill breaks the news of the motel fire to Meg during a phone call in early 1982.

'But, darling, why didn't you tell me? I would never have gone away!' says Meg.

'Because you badly needed the rest and, unless you fancied taking up bricklaying, there was nothing you could have done here,' says Jill firmly.

'You treated me like a child,' says Meg.

'No, Mum, I treated you like someone who loves you and wants the best for you,' says Jill.

Meg accepts that and is touched. She is saddened by the news of Sam's death.

The continuing story of Meg is slotted into the established storylines about the motel, the Brownlows, etc. We loved a lot of the post-Meg storylines and want nothing else changed.

On returning to England, Meg visits Ruth and Andy. She and Andy talk about Granny Frazer - who is sadly no more. Re-establishing Meg's family - Matthew, Andy, etc, would have been important to us. She seemed to be operating in something of a vacuum - with Jill and the motel as her only life concerns - after Sandy's death.

Meg's return to the motel is set for the day of the grand re-opening. She arrives and gives an interview to the Castlewich Clarion about how she began the business in 1963, and how delighted she is at its continued success.

Jill is thrilled to see her mother and, after some initial reserve, it is clear David is also delighted to see her. Glenda, Kath, Doris and other staff greet her and Meg is pleased to be back.

'You know, darling, the place looks completely different, but it really is like coming home!' she tells Jill.

David and Meg discuss her living arrangements. David tells her there will soon be a new suite for a live-in director or manager. Meg says she'd just like to make use of two rooms - her sitting room and the room next door, previously Sandy's bedroom, as her bedroom. David agrees.

Meg and David go to the sitting room. 'I'm looking to the future with great enthusiasm,' says Meg. 'But it's lovely to have this room - a thread of continuity. Lots of wonderful memories!' 

She and David have a drink.

'I must say I'm intrigued by your planned project,' says David. 'Do you feel ready to discuss it?

'Yes, I do,' says Meg. 'I've been thinking everything through, and I want to continue my involvement on the board of directors and in the motel's day to day running, David. Reception stints, paperwork - even kitchen duties if absolutely necessary!' They laugh. 'I'd also like to involve Jill a little more in the running of the place. I think it would be good for her - and the motel.'

David agrees.

'I accept that you are the majority shareholder and in the driving seat, as it were,' says Meg. 'We may not always agree, but we will be able to disagree without rancour, I'm sure of that.'

'I'm very glad,' says David.

'But my idea also involves the motel site and would be an entirely new venture...'

'Do go on,' says David.

And Meg tells him her idea...

Part 4 coming soon...

What Would We Have Done About Nolly? The Noele Gordon and Meg Dilemma - Part 2

When Noele Gordon was sacked from 'Crossroads' in 1981, we wrote to ATV suggesting another solution: keeping Noele Gordon and revitalising Meg's character and situation. We were fobbed off with a very nice (we suspect pro-forma) 'thanks, but no thanks' letter. In recent years we've developed our idea, and this little series is based on our alternative 'crossroads' for the series in 1981, giving the show and the character of Meg a boost, while also resolving backstage difficulties. The first part is here.

Having reached Meg's cabin on the QE2, Jill is greeted by her mother. The fact that Meg's note to Jill was 'still in that pigeon hole' (at least as far as Meg was aware) would be established, but there would be a change to the plot here: 'I suppose that means David hasn't got his note either,' says Meg. 'Never mind. You can sort that out when you get back.'

Meg tells Jill that she is going on holiday. 'I want to take a break, see Matthew, travel a little - I have a longing to explore the sights of Italy, perhaps revisit Tunisia - and then come back to the motel, refreshed.' 

'Sounds wonderful,' says Jill.

'I've seen the doctor,' says Meg. 'He's advised me about weaning myself off the tranquillisers. This is a new beginning, darling.'

Meg explains how the turbulence of the last few years has exhausted her. 'I think I was emotionally punch drunk: Hugh dying, you and Stan splitting up, then Sandy. I was so tired. The battle with David... and yet I was seeing David not as an old friend, but as somebody who was simply behaving unreasonably.'

'You don't think he was?' asks Jill.

'After all the turmoil he's been through? Rosemary and the shooting incident last year. Chris. So difficult. Chris is David's son, after all [Meg doesn't know the truth of the situation]. He loves the boy. And then there's David's marriage being under pressure. It must be so hard for him.  But all I saw was the fact that he wanted to do things I thought were wrong with the motel.'

'Your friendship seemed to just... shrivel up,' says Jill.

Meg nods: 'Yes. As you know, darling, when your father died, I was faced with a choice. He'd hated the idea of the new road so badly. I was half tempted to sell the house and move us somewhere else. But you and Sandy were settled, had friends in King's Oak, and it suddenly occurred to me that the new motorway could serve us well. That's when I came up with the idea of the motel. I'd been languishing in depression for months after Charles died, but I suddenly knew that I had to get on with living - for you and Sandy.'

'I knew you were devastated about Dad, but I never knew you were depressed for so long,' said Jill. 'You were such a tower of strength to us.'

'I'm glad you didn't realise,' said Meg. 'You and Sandy were so young. You were both completely knocked sideways by your father's passing. The only ones who had an inkling were Kitty, and Andy when he came on leave. They were my towers of strength.'

Jill and Meg talk about Sandy: 'I felt I had to keep my grief inside - to carry on. But really, I should have given vent to it. I miss him so much, Jill.'

'Me too,' says Jill. 

'But Sandy's optimism and love of life has inspired me. I'd entered into a senseless battle with David. Perhaps it was a diversion, perhaps I was just trying to protect things past. But it made no sense. I see that now. I originally sold shares in the motel years ago. I always knew it was a business. I wanted to see it succeed - to thrive. It has. Now David is the majority shareholder and he has new ideas, He's also experienced dreadful traumas in the last few years. Why shouldn't he want to make new plans? Do something positive? Just as I did all those years ago. I may not like all his plans and I will voice any concerns I have. But I hope we can regain our friendship, it's meant a great deal to me over the years. It still does, and I'd like to go on being at the motel.'

'I'm so glad,' says Jill. 'Oh, Mum!' And she begins to cry.

'Jill, is something wrong?' asks Meg. 'I've got the strangest feeling... it's uncanny...'

Jill pulls herself together, deciding there and then not to tell her mother about the fire. Meg needs a break. Jill is convinced she would cancel her holiday and return to King's Oak immediately if she is told what has happened.

'Imagination! You're just worrying in case you've forgotten to cancel the milk or the papers! You're going on a lovely holiday, one you thoroughly deserve! So, enjoy it, Mum!'

They embrace and the announcement that the ship will soon be sailing is heard over the tannoy system.

'There's just one more thing,' says Meg. 'When you and David see the notes I left for you both, you'll see mention of a plan. I'm formulating a future project. I'm not at a stage where I can discuss the details, but it will be the beginning of my fresh start. In the meantime, you will have my proxy vote on all decisions at the motel whilst I'm away. I've made all the arrangements with the solicitors. Do as you think fit, and please don't be influenced by my previous opposition to David.'

'I won't,' Jill stands up to leave. 'When will you be back?'

'No definite date yet,' says Meg. 'Sometime early next year.'

'Good! Have a wonderful time!' 

They embrace again.

When Jill has left the cabin, Meg turns to her dressing table where a framed photograph of Sandy is standing. She smiles at it.

Jill is seen smiling and waving at Meg as the QE2 sails, with Meg smiling and waving back.

Part Three is here.

Our Crossroads Favourites: Sandy Richardson

Sandy enjoys a cuppa in the sitting room.

Sandy Richardson, son of Meg, brother of Jill, is my wife's favourite Crossroads character of all time, and he ranks very highly with me. 

Roger Tonge played Sandy, and made him one of the gentlest, most stoic and kind-hearted characters ever. 

Sandy also had a lovely dry sense of humour.

He was very special indeed, whether annoying Carlos the chef, bantering with the waitresses or battling grave misfortune, Sandy was super.

When the show started in 1964, he was a schoolboy, then went on to try his hand at a career in journalism. 

He left for a time. 

On returning, Sandy gave farming a go, until his life suddenly changed, forever.

A car crash made him English soaps' first paraplegic.

Crossroads served the character and the realities of the physical condition most excellently.

Sandy went into a period of depression, and, after coming through that, landed a job as assistant manager at the motel.

He was concerned that nepotism might have won him the job, but Meg made sure he achieved it on his own merits.

Meanwhile, off-screen, the Crossroads Care Attendant Scheme came into existence.

I have so many fond memories of Sandy - who was as happy nattering with waitress Jane Smith as he was hobnobbing with Hugh Mortimer. Well, actually, he wasn't terribly convinced that Hugh was a suitable suitor for Meg. 

He had his doubts about our Mr M.

But never mind.

And, of course, he worried about his sister, Jill.

His relationship with Meg could be great fun - with Meg insisting that he shouldn't do too much, lest he make himself ill, and Sandy resisting.

He'd certainly inherited his mother's determination!

Romance was ill starred for Sandy.

I hoped he would marry receptionist Fay Mansfield - feeling that the character was a lovely onscreen presence and would be good for him.

But it was not to be.

There was something of a list of failed romances for Sandy, but he endured his traumas quietly.

Roger Tonge died in 1981 and we heard of Sandy's death months later, which was the Crossroads method of dealing with the deaths of major cast members at the time.

Noele Gordon, as Meg, paid tribute to the character's 'optimism and love of life'.

Sandy was wonderful, and so much more than just a peg for a fascinating storyline about paraplegia, although the character served as an inspiration for many others in the same situation.

Sandy, like many others in the longterm cast, became a dear friend who visited us three or four nights a week via our TV screens, year after year. 

We loved him.

Our Crossroads Favourites: Valerie Pollard

Valerie in 1982: 'Birmingham? Darling, where on earth's that?'

Valerie Pollard, played by Heather Chasen, only appeared intermittently in Crossroads from 1982 to 1985, but she certainly left her mark on the motel - and our affections.

We adored Valerie.

Naughty but capable of being very nice, Valerie popped a button off Adam Chance's shirt upon her arrival in April 1982 - and bore him away to his boat for a night of 'lurve'.

This resulted in the breaking of Adam's engagement to Jill Chance - and the departure of Adam on the midnight plane to Paris - to avoid the wrath of Val's husband, J Henry Pollard.

Val had only done it to get up her hubby's nose.

Valerie, of course, was a millionaire's wife, leading an elegant beach bum life abroad with a host of 'pneumatic young men' - as her husband put it.

And when J Henry imprisoned her in a grotty motel in the English Midlands, well, darling, you surely couldn't expect her to take that lying down, could you?

The motel bored Valerie so much she once ordered a Pussyfoot Special in the bar.

While Valerie and J Henry were at loggerheads, they actually DID care about each other. J Henry even told her how to spell 'grotesque' - 'q-u-e, not k'.

Poor Miranda, the couple's daughter, dodged the bullets flying between her parents.

Valerie once told Miranda she thought J Henry was the only member of the family who really knew how to love - and she didn't mean sleeping around.

What was so wonderful about Valerie was that you didn't know what to expect from her. Here was a rich super bitch who was also kind and considerate enough to give pregnant motel waitress Glenda Banks a lift home to save her catching the bus, and hand-hold distressed Kate Hamilton as she awaited a court appearance.

But she was also willing to falsely accuse motel restaurant manager (and her husband's spy) Paul Ross of sexual assault. Fortunately, David Hunter saw right through that - and Valerie just reacted as though she had been caught out in a piece of trivial mischief.

She also sent her own daughter an anonymous letter in an attempt to stop Miranda's romantic pursuit of Mr Paul - which caused much angst and resulted in police bribery.

Valerie lit up the screen. Her bitchery, her languidness, her kindness - she was fascinating and very witty to boot.

A Crossroads legend to us at the blog, she made Joan Collins of Dynasty look like Hilda Ogden after a bout of flu and sixty fags.

Fabulous.

Now, we're off to the bar to toy with the peanuts - and perhaps even order a Pussyfoot Special. Unless, of course, you'd like to show us your boat...

Our Crossroads Favourites: Amy Turtle

Hippies on the telly? Mr Booth's fancy cooking? Amy wasn't impressed. It was juicy gossip she craved.

Ah, Amy Turtle! Some people will snigger, but it's worth remembering that Amy was a hugely popular Crossroads character - in my family she was more popular than Meg Richardson - and from the mid-1960s to the mid-1970s, many working class folk would have frowned at criticism of the character or of the actress's performance.

And, as Ann George, who played Amy, pointed out, she did become a bit of a scapegoat when other cast members fumbled their lines.

Diminutive Amy was immensely popular not just with the tongue-in-cheek detractors of the show, but with its loyal and loving audience - who took the character seriously and cared for her.

So, Amy lived in the village of King's Oak and was first seen as a Brummie customer at Kitty Jarvis's shop, where she soon went to work. Amy then transferred to the motel as a kitchen hand and char. Gossip was Amy's great love and she wasn't very clever. The character's biography at ATV described her as an 'English peasant' - as were many of us viewers, of course. She dabbled in spiritualism and maintained contact with her deceased husband Fred that way. She was suspicious of big city living and hippies.

Amy Turtle was happy in her own little pond.

Much was made by mockers of the show in later years of an old story-line in which Amy had apparently been accused of being a Russian spy - Amelia Turtlovski. The episode/s no longer exist, and I don't recall the plot from my viewing years, but it has since been suggested that the whole thing was just a jokey comment made by another character, and not a story-line at all. Amy, of course, would have made an excellent spy. If anybody has any further information on this, I'd be fascinated to hear.

After the death of her son in 1975, Amy was caught shoplifting and we were all horrified when she was put in a police cell. She shamefacedly slipped into Meg and Hugh's wedding, and sat at the back. Things didn't improve when a wage packet went missing, and some uncharitable souls suspected Amy was the thief. She fled from the motel, briefly taking a job elsewhere under an assumed name to cover her shame, but was finally found by Jane Smith and brought safely back into the motel fold.

In early 1976, Amy went away to visit a relative abroad, and wasn't seen again until early 1987. Apparently, she'd been quietly living in the village and had come to visit the motel as a friend of its new owner, down-to-earth Brummie cove Tommy 'Bomber' Lancaster.

And she'd hardly aged a day.

Her presence seemed to rather freak out poor Jill Chance, and Amy made a few dark comments about Meg - who apparently would 'bawl like a fish wife' if the chalets weren't spotless, but 'had a heart of gold'. 

Ann George made a few appearances as Amy at this point, and I loved them.

Her disappearance in the mid-1970s had left a huge hole in the show. Apparently there had been problems behind the scenes, and so the viewers lost a cherished character.

Oh well. 

Still, it was great to see Amy again in 1987, brief though her appearances were.

Another Crossroads legend, never to be forgotten. 

Our Crossroads Favourites: Jill Richardson/Harvey/Chance

Having uttered the very first words heard in Crossroads in November 1964 - 'Crossroads Motel, may I help you?' - Jane Rossington as Jill starred in the show's final cliffhanger in April 1988: who would Jill choose? Jolly and just John Maddingham or often amoral Adam Chance?

In the early BBC radio soap Mrs Dale's Diary (later The Dales), central character Mrs Dale was always saying 'I'm worried about Jim' - referring to Dr Dale, her loving hubby. This became something of an affectionate national catchphrase. Many of us Crossroads fans were often heard to say, when discussing the latest events in the serial, 'I'm worried about Jill.'

And we had good cause to be.

Poor old Jill, played by Jane Rossington, daughter of Meg, sister of Sandy, had a fraught life. Nobody could ever accuse Father Fate or Dame Fortune of being kind to her.

If Meg was the caring, coping matriarch of King's Oak, Jill was its Penelope Pitstop.

Jill had an absolutely terrible time. She married John Crane, a bigamist, in 1970 and had a miscarriage. She married down-to-earth Stan Harvey not long after and had a daughter, Sarah Jane, and a few happy years - before having an affair with her step-brother, Anthony Mortimer. This resulted in a son, Matthew, and was the death knell of Jill and Stan's marriage.

Then, Jill, who still loved Stan, had an on/off romance with Adam Chance, which was broken off in 1982, when he dallied with Valerie Pollard, but resurrected in 1983 - when they got married.

The marriage blew onto the rocks in 1985 when Adam made advances to new motel boss Nicola Freeman, and Jill rebounded into the arms of Nicola's brother, Mickey Doyle.

Well, he drank, she had a miscarriage, and it seemed was drifting back towards Adam when a new arrival as landlord at the King's Oak pub, the Running Stag, one John Maddingham, made a few gentle overtures to her.

And, with the motel/hotel up for grabs, and Adam angling for a reunion so he could get his grubby mits on said motel/hotel, Jill took off with John. Perhaps to open a little hotel in the West and call it 'Crossroads'.

During the show's final stages, the William Smethurst-produced era, Jill became a more rounded character. She was still somebody we worried about - or "daffy" as her loving husband Adam once described her, she was still good hearted and lovable, but she also developed a snooty side to great comic effect. Jane Rossington later said she was very happy with the changes made to the character at this time. I enjoyed this Jill era probably most of all, and my admiration for Jane Rossington's acting skills increased tremendously.

Jane said:

'William had run The Archers and he had a fearsome reputation, but after he arrived he was wonderful with scripts. He was not the easiest of people to get on with, but for me, he had some super writers and he made my character much more of a character, I had much better scenes, much better. Whereas before I just had to make what I could out of it, but this was actually written, and it was quite funny and I turned into this dizzy, slightly snooty girl. It was quite funny and it was nice, I really enjoyed that. But I liked William and I was horrified when the programme went because they'd given him a long contract and led him right up the garden path, promising him this was forever, you know, so that he would leave the BBC, they were very naughty.'

Through it all, even her snooty phase, Jill was a compassionate, caring person.

That's why we worried about her - and loved her.

Even after the show ended in 1988, I still found myself muttering, 'I do hope Jill's all right,' from time to time...

Like her mother, Meg, Jill is a soap legend. For very different reasons - she was not a coper, more the damsel in constant distress. But she was a survivor - the only member of the original cast to star in the final episode.

I discount the Crossroads revival series, which saw Jill killed off by a deranged Adam. That was all a dream anyway.

Jill went West with John and probably, out there somewhere, she's bravely manning the reception desk at another Crossroads Motel (established 1988) - and still surviving the slings and arrows of outrageous fortune. But wherever she is, perhaps she might drop us a quick postcard sometime, because we do worry...

Our Crossroads Favourites: Meg Richardson/Mortimer

My favourite photograph of Noele 'Nolly' Gordon, Meg of the motel - an autograph for a young fan in the 1970s.

Meg! Margaret Fraser/Richardson/Ryder/Mortimer! It was around the character played by actress Noele Gordon that the Crossroads format was built and Meg was the staunch leader of the motel pack from the very first episode in November 1964 until she lost her majority or equal shareholder role in 1979 - and finally took off for pastures new in November 1981.

Meg's husband, Charles Richardson, had died in the early 1960s and Meg had converted the land around their home into the Crossroads Motel, complete with chalets, residents' garden, cafeteria, reception, restaurant, bar, garage and swimming pool. The motel had opened in 1963 and was well up and running by the time of the first episode in November '64.

Meg's family consisted of her teenage children, Jill and Sandy (he was still at school), sister Kitty Jarvis, brother-in-law Dick, and nephew Brian. Meg also had a brother, Andy, who was in the Navy. He married widow Ruth Bailey and became a travel agent. A young man called Bruce Sorbell later became her ward, and she fostered a black girl called Melanie Harper in 1970.

Like all soap heroines, Meg was born to suffer - and boy did she!

In 1965 she met rich, suave businessman Hugh Mortimer. At first she wasn't sure if she could trust him, and became convinced she couldn't when he married somebody else a couple of years later. But all was later explained: Hugh had married Jane Templeton because she was terminally ill and he wanted to make her last days as happy as possible.

Meg survived the explosion of a wartime bomb, which destroyed the motel kitchen in 1967, and, in 1968, married smoothy Malcolm Ryder - who took out life insurance for Meg - and then tried to poison her to get at the money.

She went to prison briefly for swerving to avoid a cat while driving and hitting postman Vince Parker.

Her nephew Brian was accused of murder and her sister Kitty died in the late 1960s. Meg sold shares in the motel to Tish Hope and Mr Lovejoy - but retained a controlling interest.

Meg's children brought her much anxiety - Jill married a bigamist and had a miscarriage in 1970.

In 1971, Jill married working class Stan Harvey - but Meg could never really share his father Wilf's fascination with pigeon keeping.

Sandy was involved in a terrible car crash in 1972 and lost the use of his legs.

A happy arrival as a motel shareholder and director was David Hunter - who worked closely with Meg and became her good friend and confidante.

It wasn't all tragedy and high drama for Meg. She had some happy and funny scenes with Carlos Rafael, the motel's first temperamental chef in the 1960s, and some hilarious scenes with comedian Larry Grayson in the first half of the 1970s when he booked in as a difficult guest at the motel. There were other light hearted moments too, but these were outweighed by troubled times.

Meg developed amnesia after learning that her husband Malcolm, who she thought had died in a car crash, was still alive. He later turned up to menace her at the motel, but all ended happily when Hugh and the police finally intervened.

And then she married Hugh in 1975, which meant gaining a stepson - Anthony Mortimer.

Anthony had an affair with Meg's daughter Jill in 1977, and she became pregnant. This broke her marriage to Stan Harvey. Jill's son, Matthew, was brought up by the Mortimers.

Hugh wrote a book called Businessmanship, which was published in 1977, but then tragedy struck. Hugh had been working on a big business deal in Australia for some time and, in 1978, was kidnapped by terrorists - who had links to David Hunter's son Chris.

Hugh died of a heart attack while in captivity and Meg went into mourning.

In early 1979, Meg was forced to cease being an equal or the majority shareholder (I can't remember which) in the motel when it was revealed that Hugh wasn't so good at 'businessmanship' after all. He had debts - and Meg had to pay them. 

This storyline made me uneasy for Meg - and for Noele Gordon.

Accountant Adam Chance bought some of her shares to help her out, but, in 1981, sold 5% of them to Meg's old friend David Hunter - thus making him the majority shareholder. Meg's relationship with David had grown fraught as the 1980s began. And it grew even more so when he attempted to sell the motel to J Henry Pollard.

Finally, in November 1981, Meg gave up the struggle with David. After a conversation with Sam Hurst, or Sam Norton, the artist, who was staying at the motel and had a tragic background involving losing his family in a fire, Meg was left to contemplate her future.

She was on tranquillisers at the time, and considered an overdose. But then she thought of Jill and her recently deceased son Sandy and his love of life, and decided to start afresh.

She left the motel - and not a moment too soon because it burned down minutes later.

Ironically, Sam, the artist, who had blamed his own cowardice for the death of his family in a previous fire, declared to Benny that he wasn't afraid of fire any more, and died trying to recue a woman who wasn't even there.

Anxiety ran high - what had happened to Meg? Had she died in the inferno? But the truth was soon revealed: Meg had left a note for Jill which had been destroyed in the fire. She phoned her daughter and bade her a tearful farewell on the QE2. Jill didn't tell her about the fire - although Meg had an uncanny feeling that something was wrong.

Meg briefly reappeared in October 1983 - joining her daughter Jill and her husband Adam on their honeymoon in Venice. There were well-advanced plans to bring her back to the motel as a permanent occasional character in 1985. But Noele Gordon died before they could reach the screen.

What can you say about Meg? To many, she was the heart of Crossroads. It wasn't that way for me, but nobody could help admiring Noele Gordon's tireless devotion to the show - she was its official spokesperson. For me, some more light hearted storylines and a bit less of the soap character martyrdom - particularly in the last five years - would have helped to raise Meg higher in my own personal run-down of motel greats. Noele Gordon could portray a lighter, happier Meg with great ease. A shame the scripts didn't require it much.

But Meg's prime importance to the show - and to a huge number of its fans - is in no doubt at all. She was, quite simply, a soap legend - never to be forgotten.

Our Crossroads Favourites: Adam Chance

Jill adored Adam - except when he called her "Jilly". Adam gave his view on Jill in 1988 - he'd never met such a daffy woman...

Adam Chance, played brilliantly by Tony Adams, was King's Oak's Mr Fox - a very foxy customer indeed! Of great charm, and capable of great kindness, nonetheless he could be a bit of a sly one.

In fact, more than a bit.

Accountant Adam first breezed into King's Oak in 1978. At first, he was a great support to Meg, who was reeling after the death of her husband Hugh, and the revelation that Hugh's finances were not at all healthy. In early 1979, Adam bought a few shares in the motel to help Meg as she was forced into selling some, and she ceased to be an equal or majority shareholder. In 1981, Adam sold 5% of his shares to David Hunter, giving David a 55% controlling interest in the motel.

Meg told Adam she could never forgive him. Adam replied that he was a businessman - and needed the money for the Crossroads Garage.

At first Adam was around only intermittently, but he settled down in 1983 to marry Jill Harvey and remained in the village until 1988.

But it was not an easy courtship.

Or marriage.

Adam's biggest hoorah in his early years was bringing millonaire's daughter Miranda Pollard to the motel in 1980. And her father, J Henry, soon turned up as well.

Adam acquired a boat and romanced several lucky ladies there before becoming engaged to Jill Harvey in 1982.

But he was tempted by newly arrived rich bitch Valerie Pollard, who was out to score points against her loving husband, the aforementioned J Henry. Adam spent the night with her on his boat. And Valerie cleverly dropped this little gem of information into a nice "drinkies" session with her dear hubby, Adam, Jill and the Hunters in the motel bar.

J Henry was furious, Jill was distraught and gave Adam his ring back, and Adam left England.

And that seemed to be that.

But, in 1983, Adam returned to King's Oak. He wrangled a job as motel manager for a period of five years in exchange for his remaining shares in the business, and Jill, who had voted for him to be awarded the job, began to tremble.

And soon the engagement was back on again.

David Hunter suspected that Adam was up to no good, simply out to marry Jill for personal gain, but what he really wanted was hard to know.

That's what made Adam such fun as a character.

After the wedding, Adam unveiled one of his flashes of genuine kindness. He'd secretly arranged for Jill to be reunited with her mother Meg on their honeymoon in Venice. Meg's rift with Adam over his selling of the motel shares had healed.

Adam's relationship with David Hunter could be fraught, but he showed another flash of kindness when he spoke to Sarah Alexander on David's behalf during her pregnancy. Adam wasn't keen to go and talk to her, but he did. It didn't do any good, but all the same...

In 1985, foolish Adam made a pass at new motel boss Nicola Freeman and, when Jill twigged what had happened, it snapped their marriage in two.

Adam remained at the motel, and managed the new leisure centre - often clashing with yuppie lad Daniel Freeman, step-son of Nicola. He had a fling with employee Tara Shaw and, when the  motel was sold to Bomber Lancaster, tried to drop Nicola in the cart by revealing a confidential file to the new boss man which criticised her management of Crossroads. But Bomber wasn't daft.

Finally, Adam and Jill were reconciled. Jill had her doubts, but Adam convinced her that they could regain control of the motel - or rather the King's Oak Country Hotel - as Bomber Lancaster had decided to sell up.

Jill dithered and dallied, finally decided that her future lay with Bomber's PR man John Maddingham, and Adam faced defeat. The hotel was sold to the Three Crowns company, with none other than Adam's old enemy Daniel Freeman as its representative!

It was a bitter pill to swallow.

Adam left.

The King's Oak Country Hotel receptionist did not even acknowledge his farewell.

Adam was resurrected for the Crossroads revival series in the early 21st century.

But that all turned out to be a dream.

Thank heavens.

One of the show's greatest characters, Crossroads's Mr Fox will never be forgotten...

What Did Charlie's "Growler" Look Like?

So, here we are at the reception desk with a hugely shoulder-padded Jill and a "Growler" loving Charlie, and it's time to catch up on a few e-mails...

Tim writes:

I loved your post on Charlie Mycroft. I was brought up on the Archers in the 1980's and was a great fan of Graham Seed. My mother never watched Crossroads and as it was pre-web days, I never knew Mr Seed featured in that programme. What did his toy dog "Growler" look like?

What a question, Tim! I have some episodes featuring said "Growler" somewhere. He was a small, black toy dog if I remember rightly. I'll try and get some screen caps up at some point - but there might be some footage on YouTube - do check. I was very happy to include Mr Mycroft in my Top 50 Favourite Crossroads Characters listings. If only the show had continued!

Monica writes:

I'm puzzled about Chris Hunter. David Hunter wasn't his biological father, was he?

No, Tina, he wasn't. This all came out in the early '80s when Iris Scott took some cassettes from Lloyd Munroe's cottage, thinking they contained music, then discovered they were tapes of Rosemary Hunter's therapy sessions with Lloyd. In 1984, Iris used the information to try and blackmail Jill and Adam Chance into keeping her boyfriend Gary in employment at Chimneys. This led Jill to say: "You really are a bitch, Iris!" Although aware of the facts regarding Chris's true parentage, David always regarded him as his son anyway.

Chris Hunter, played by Stephen Hoye.

And finally, from "Tish" (?!).

Loving the blog. Any chance of a mention of a certain Mrs Hope in your Top 50?

Ah, keep viewing, Tish!

Our Crossroads Favourites: Stan Harvey

 Stan Harvey and Jill Richardson discuss their future in 1971.

Working class Stan Harvey, played by Edward Clayton, the son of pigeon loving Wilf and brother of elocutionist/hairdresser Sheila back in the 1970s, was a surprising suitor for posh young Jill Richardson, but the two fell deeply in love and married. Jill was keen for Stan to get on in life, and an interest in the motel garage proved lucrative.

The Harveys' daughter, Sarah-Jane, further cemented the couple's happiness, as did a move into a large, comfortable house called Chimneys. Those were good days.

Still, many viewers disapproved of Jill marrying 'beneath her' and Edward Clayton received letters from various disapproving snobby pillocks as a result.

In 1977, Stan spent some time on business in Germany and it was during his absence that Jill had an affair with her step-brother, Anthony Mortimer. She became pregnant, and the situation pushed her marriage onto the rocks and eventually destroyed it. Stan ended up with custody of Sarah-Jane, and married a German woman. 

At this time, Stan was made out to be a bit of an insensitive git in the Crossroads scripts. It was suggested that Jill had only drifted into Anthony's arms because of Stan's dedication to getting on in business and that she'd been neglected by him. But in at least one existing episode from the early-to-mid 1970s, Jill is seen pushing a resisting Stan on to succeed in business, so the later story-line seems simply an attempt to vilify the character as he was being written out, and the production team obviously wanted the viewers to sympathise with Jill.

Jill was still in love with Stan deep down. She tearfully confessed this to him on the phone at Christmas 1980. Stan hung up. There was no going back.

A couple of years later, Stan, his wife, and Sarah-Jane left England to live in Germany. He returned briefly to the motel in 1985, a happy man, seemingly with no regrets. He proved to be a bit of an anchor for poor old Jill, who was beset by anxiety at the selling of the motel to Major International Hotels at that point.

Stan was another of those Crossroads characters, like Vince Parker, who would probably have been good company for a pint down the local. He had that all important aura of believability - a nice, everyday bloke. He grounded Jill - who could be more than a little topsy-turvy when left to her own devices - and the couple seemed to work well together.

I was sorry when the character was written out. But if he hadn't been then Jill's marriage to Adam Chance in the 1980s would not have happened, so every cloud...

Our Crossroads Favourites: Sheila Harvey

Sheila with the other Harveys back in the day.

Sheila, played by Sonia Fox back in the early-to-mid 1970s, is a fondly remembered King's Oak resident here at the blog. There was something about the character we particularly liked, something indefinable which placed her above many other King's Oak residents in our affections. Some performers simply have the ability to make their characters believable and invest them with a likeable warmth, and Sonia Fox certainly did that with Sheila.

Sheila was the daughter of pigeon fancier Wilf Harvey, the unlikely father-in-law of Jill Richardson. She was once an elocutionist, and later worked as a hairdresser. Her romance with married man Harry Wade caused Crossroads fans much angst back in the early 1970s.

The character then caused Crossroads followers further angst by getting pregnant out of wedlock after a dalliance with Roy Mollison, and having her baby delivered at the motel by Meg Richardson.

Sheila gave her baby to sister-in-law Jill to bring up. Later, she married Roy and they took the baby back.

After this, I recall Sheila working at Vera Downend's hairdressing salon. The two had a humdinger of a row  - and Sheila got the sack - when it was discovered she'd been moonlighting at home.

The Mollisons soon faded from the King's Oak scene. Where did they go? I can't remember, but Sheila remains in our affections as a gem of a character from Crossroads way back then.