Cast Axings In The 1960s And 1970s...

Much has been written about the axing of cast members and popular characters from Crossroads in the 1980s.

It's not surprising.

But what does surprise me is the fact that so little is written about the axings of cast members and popular characters in the 1960s and 1970s.

Of course, there were not nearly so many, but still it is odd that Crossroads was chopping popular characters well before the 1980s began.

Sometimes there seemed to be reasons. Sometimes not.

Noele Gordon took the view that in a real motel staff and guests were always changing, and I suppose she was right, but with some of the characters it didn't quite wash. One, for instance, was the motel's chef, happy in a sought-after senior position. Another ran the motel's hairdressing salon.

And anyway Crossroads was not a real motel. I have heard of no other soap with the tendency to write out the viewers' favourite characters in this way.

The first popular character to be axed was Anthony Morton, who played the motel's original temperamental chef Carlos Rafael in the 1960s.

Carlos was killed off, and Anthony Morton sent Crossroads producer Reg Watson a mourning card, with "Wish you were here" written on it.

Other less high profile Crossroads folk got the chop before and after Carlos, but the next biggie to go was Amy Turtle, motel cleaner, kitchen hand and gossip, played by Ann George.

I have to say that Amy, on-screen from 1965 to early 1976, was more popular with my mother and aunts, and many other women in my neighbourhood, than Meg Richardson!

Her axing came after reported difficulties between herself and leading lady Noele Gordon.

Ann was invited back to make a few guest appearances as Amy in 1987.

In 1977, "tart with a heart" Vera Downend, played by Zeph Gladstone, was chopped.

Introduced by the (then) producer Reg Watson in the early 1970s, Vera was a charming character and a great favourite of mine. Her love-life was a disaster, but she was always around to provide sympathy and a listening ear to those in trouble. At the time, her leaving was a puzzle - did she decide to go, or was she dropped? In her 1988 book, Soap Box, TV journalist Hilary Kingsley revealed that Zeph had been dropped.

A year long 'sabbatical' resulted in Zeph not being asked back.

In 1975, Meg married her long-term suitor Hugh Mortimer (John Bentley). After a short period of married bliss, the character was dispatched to Australia on a "big business deal" and then, in 1978, killed off - dying of a heart attack whilst in the custody of international terrorists.

Hugh was very popular with viewers, and his wedding to Meg had been a tremendous spectacle, greatly enjoyed.

As if his departure wasn't enough, we suddenly learned that Hugh was not such a great businessman. He was in serious debt at the time of his death. Meg had to sell off motel shares, thus ceasing to be a majority shareholder, to pay off those debts.

Edward Clayton as Stan Harvey was part of the family at the Motel - he'd married Meg's daughter, Jill, and was one of the show's dependable and likeable characters - part of its stability. He was dispatched around the same time as Hugh Mortimer.

And like Hugh, the character was presented in rather an unsympathetic light upon his departure.

It was all a great shame.

And I still find it a puzzle.

As for me personally, I particularly missed Zeph Gladstone as Vera Downend.

Vera had become like an old pal through many evenings of me munching my dinner, whilst watching her endure the ups and downs of life on her boat and at the motel salon.

To end on, we'll look at the strange case of Miss Tatum of the King's Oak Post Office. A highly popular character and setting, both Miss T and the Post Office were chopped in the mid-1970s. Elisabeth Croft, who played Miss Tatum, asked new producer Jack Barton, who made the decision, if Miss Tatum could have a retirement storyline, but Mr Barton said that was the last thing he wanted. Miss Tatum would still be at the Post Office in the storyline, but unseen onscreen the vast majority of the time. Elisabeth Croft was from then on only asked back to make occasional appearances, the last in 1983.

A vast diminishing of the input of a highly popular character and the disappearance of a popular setting.

I'm sure Mr Barton had his reasons and a 'new broom' producer will always have new ideas and want to make changes, but, and no disrespect to Mr B, this is one I simply could not understand.

So, when next you are reading about the Crossroads cast axings of the 1980s, spare a little thought for those who were given the chop years before.

The axings I've outlined here did absolutely nothing for the show, and were as puzzling and downright distressing as any made later.

ORIGINALLY PUBLISHED JUNE 2010 - UPDATED JULY 2014

Our Crossroads Favourites: Stan Harvey

 Stan Harvey and Jill Richardson discuss their future in 1971.

Working class Stan Harvey, played by Edward Clayton, the son of pigeon loving Wilf and brother of elocutionist/hairdresser Sheila back in the 1970s, was a surprising suitor for posh young Jill Richardson, but the two fell deeply in love and married. Jill was keen for Stan to get on in life, and an interest in the motel garage proved lucrative.

The Harveys' daughter, Sarah-Jane, further cemented the couple's happiness, as did a move into a large, comfortable house called Chimneys. Those were good days.

Still, many viewers disapproved of Jill marrying 'beneath her' and Edward Clayton received letters from various disapproving snobby pillocks as a result.

In 1977, Stan spent some time on business in Germany and it was during his absence that Jill had an affair with her step-brother, Anthony Mortimer. She became pregnant, and the situation pushed her marriage onto the rocks and eventually destroyed it. Stan ended up with custody of Sarah-Jane, and married a German woman. 

At this time, Stan was made out to be a bit of an insensitive git in the Crossroads scripts. It was suggested that Jill had only drifted into Anthony's arms because of Stan's dedication to getting on in business and that she'd been neglected by him. But in at least one existing episode from the early-to-mid 1970s, Jill is seen pushing a resisting Stan on to succeed in business, so the later story-line seems simply an attempt to vilify the character as he was being written out, and the production team obviously wanted the viewers to sympathise with Jill.

Jill was still in love with Stan deep down. She tearfully confessed this to him on the phone at Christmas 1980. Stan hung up. There was no going back.

A couple of years later, Stan, his wife, and Sarah-Jane left England to live in Germany. He returned briefly to the motel in 1985, a happy man, seemingly with no regrets. He proved to be a bit of an anchor for poor old Jill, who was beset by anxiety at the selling of the motel to Major International Hotels at that point.

Stan was another of those Crossroads characters, like Vince Parker, who would probably have been good company for a pint down the local. He had that all important aura of believability - a nice, everyday bloke. He grounded Jill - who could be more than a little topsy-turvy when left to her own devices - and the couple seemed to work well together.

I was sorry when the character was written out. But if he hadn't been then Jill's marriage to Adam Chance in the 1980s would not have happened, so every cloud...