Wednesday, 30 December 2009
An extract from Sue Lloyd's autobiography:
The first time I was offered a role in Crossroads, I must admit my initial reaction was to be a bit sniffy about it. The soap was renowned for its wobbly scenery, bizarre story lines and regular slaughtering by the critics. Why would I, just back from filming The Pink Panther with Peter Sellers in the South of France, and about to embark on the comedy The Upchat Line with John Alderton, want to get involved in a project like that? Besides, I was too busy.
'If they want you,' advised my agent, 'they'll come back.'
He was right. About a year later they called again. They were looking for an actress to play a slightly mysterious, classy lady named Barbara Brady. She was to arrive at the Crossroads Motel, apparently to take a post as a sort of upmarket housekeeper, but in reality she was an author researching material for a new book.
Barbara arrived in 1979, a stranger to the area and to the motel staff. It was at first thought that she was out to poison Lloyd Munro, her employer (Barbara worked as his housekeeper) but later transpired that she was an eccentric novelist, doing research.
Barbara soon attracted the attention of Crossroads Motel director David Hunter and Dr John Farnham, from the group practice in King's Oak. In 1980, Barbara and David became engaged - and David was shot in the motel office by his deranged ex-wife Rosemary on the same night!
Fortunately, he survived, the couple married later in 1980, and became one of Crossroads most popular ingredients until they were written out in 1985. Barbara developed from the eccentric novelist of 1979 to the caring wife, motel executive and Crossroads favourite of the early-to-mid 1980s. The character was possessed of a keen social conscience and memorably befriended a tramp on one occasion whilst researching a novel.
In reality, Sue Lloyd and Ronald Allen fell in love and were together until Mr Allen's death in the early 1990s.
Thursday, 27 August 2009
The book, Crossroads The Drama Of A Soap Opera was published in 1982, and Dorothy Hobson was obviously at the studios in 1981 because she was there when Noele Gordon was sacked. But books like "Cultural Closure - The Arts In The 1970s", edited by Bart Moore Gilbert, claim that her interviews with the female viewers were all done in the late 1970s (or so Stuart Laing says). Is this so?
Piffle and bunk. Crossroads emerged as a popular show with female viewers when Dorothy Hobson began conducting interviews in the late 1970s, but her Crossroads-relevant interviews took place in 1981, as story-lines from 1980 and 1981 are mentioned by the interviewees - as was the character Kate Loring (arrived in 1981), and the Brownlows (the family did not arrive until late 1979).
Ms Hobson first gained access to the Crossroads studios in the late spring of 1981 - according to her book. I quote:
In the event it was not until the late spring of 1981 that I managed to gain access to Crossroads, and the period when I was watching the production and viewing with the audience coincided with the period before Noele Gordon was sacked from the company.
So, from the horse's mouth, there you have it - Ms Hobson gained access to the studios in the late spring of 1981, and then began watching the production of the show and viewing it with the audience.
Many things (in general) written about the 1970s are actually about the 1960s and 1980s. I don't know why. I sometimes think it happens too often to simply be mistakes! It's as though the '70s must be hyped!
And on the same theme...
Gary Arnold asks:
Crossroads 2003 and Beyond claims that the show went into colour in 1970 -
"The programme goes into colour enabling Meg’s dresses to be seen in all their floral glory."
But I thought it was 1969?
Yes, it was 1969 (sigh). See what I mean?
Friday, 21 August 2009
Thank you, YouTube! Included here are Jill Harvey (Jane Rossington) attempting to intervene in some marital strife between Barbara (Sue Lloyd) and David Hunter (Ronald Allen), the tragic death of Arthur Brownlow (Peter Hill), and the agonising story of whether or not Kate Hamilton (Frances White) had killed casino owner Tony Moran (John Laurimore).
Motel owner Meg Mortimer (Noele Gordon) was about to announce the engagement of her business partner David Hunter to novelist Barbara Brady at a party to celebrate the occasion. Rosemary, in the past known for her neurotic tendencies, had begun to behave strangely.
American psychiatrist, Lloyd Munroe (Alan Gifford), an old friend of Meg's, told Rosemary off, pointing out to her that she'd been: "...threatening me - and David and Barbara - with threats of suicide."
Lloyd was doing his best to help, but was trying to convince Rosemary that she didn't love David, she actually hated him, really the right thing to do?
Particularly as it seemed that Rosemary may have stolen a gun, and Lloyd was fully aware of that fact?
Everybody, including Rosemary's daughter-in-law Diane Hunter (Sue Hanson), was in a state of high tension and the night of David and Barbara's engagement party saw an anxious discussion in the reception area at the motel.
Something horrible was about to happen.
"David... say it... tell me you love me... SAY IT!" she whined menacingly. When he refused, she shot him.
Of course, all was well. David was discovered by Meg and made a full recovery, Rosemary underwent psychiatric treatment and was never seen again, and that was that.
According to legend, the reason for David's somewhat informal attire at his engagement party had its roots in a behind-the-scenes mishap. When Janet Hargreaves first pulled the trigger of the gun, it didn't go off. But Ronald Allen had already broken the bag of stage blood, ruining the suit he was wearing.
It seems that the Crossroads wardrobe allowance could not run to another suit!
1985 gave us Victoria Wood As Seen On TV and I woz very happy indeed. Victoria's way of highlighting the daft things people come out with ("my Yale's under my Wincey Willis"), the quirkiness of life, the humdrumness of life, and on one memorable occasion (The Swimmer) the sadness of life, went down an absolute treat with me.
Acorn Antiques was a spoof soap opera, seen on As Seen On TV, and based largely on Crossroads. Its characters and situations held appeal for Crossroads fans past and present.
I well remembered Tish Hope (Joy Andrews) and Meg Richardson (Noele Gordon) larding it up behind the motel reception desk (Tish first joined Meg there in the late 1960s, and last appeared in 1980. Poor Meg, of course, was finally smoked out in November 1981). Miss Babs and Miss Berta, the proprietors of Acorn Antiques, contained echoes of these characters - well, at least in their managerial roles and dress sense!
Mr Clifford was David Hunter; Trixie was a mixture of peril-stricken Jill Richardson and devious Iris Scott.
In a recent BBC interview, Victoria Wood was asked:
"So, was Mrs Overall based on Noele Gordon from Crossroads?"
"No, if it was based on anyone, it was based on Amy Turtle or Mrs Mack from Take The High Road. It was a homage to Crossroads but also to a terrible radio series called Waggoners' Walk which was on then."
But back in the 1980s I heard no comparisons being made between Mrs O and Mrs Turtle or Mrs O and Mrs Mack. Mrs Overall's position as char at the antiques shop may have been based on Amy's old job at the motel, and her name, like Mrs Mack's, was certainly suggestive of an item of clothing, but the character's physical appearance, voice and mannerisms were immediately evocative of Charmian Eyre's Mavis Hooper, the miserable King's Oak boarding house keeper from 1981 to 1985.
She even wore the same type of overall!
As Crossroads moved upmarket in real life, so did Acorn Antiques. As with the motel saga, verticle blinds appeared in the Acorn Antiques opening sequence (they didn't work) and a new health and leisure centre (with sun beds) was built at the shop.
Acorn Antiques also drew inspiration from EastEnders, with Miss Babs apparently warbling a song called Anyone Can Break A Vase, which was (in fiction) released on vinyl. Unfortunately, we never got to hear it!
In her role as spokeswoman for Crossroads, Noele Gordon was absolutely tireless in her defence of the series against the crudities and jibes of an unkind press. In June 1981, Margaret Forwood, Sun TV critic, was on the attack after Noele had favourably compared Crossroads with Coronation Street...
"Coronation Street is drama while Crossroads is real," said dear, deluded Noele Gordon the other day.
Who was she trying to kid?
In their latest bid to oust the invincible Coronation Street as telly's top soap opera, the brains behind Crossroads have knocked down poor old Benny and left him covered in blood and about to be blinded.
That should have knocked his hat off at long last!
Benny, you will recall, is the illiterate local simpleton befriended by beauty queen, unmarried mother and occasional waitress Miss Diane.
He was about to be married a couple of melodramas back but his fiancee was knocked off her bicycle and killed while on her way to a clandestine assignation with her gypsy lover on the morning of the wedding.
Then he offered to wed reclusive plastic surgery patient Alison who had been left in the lurch by former international terrorist-turned-record producer Chris Hunter.
But she had a miscarriage and decided to become a nun instead.
Real, Noele darling?
Whatever people thought of Noele Gordon and Crossroads, there was no doubt that the two went together like bacon and eggs - and had done since the very first episode way back in November 1964.
The announcement that Noele had been sacked from the show exploded upon the media on 22 June 1981. And Crossroads fans were stunned.The "Save Our Meg" campaign - the Sun, June 24 1981.
Crossroads boss Jack Barton yesterday faced the cast of the TV soap opera for the first time since the Big Sacking Shock.
He saw them for a 20-minute crisis meeting folowing the surprise dismissal of Noele Gordon, the show's top star for the last 17 years.
Mr Barton, the programme's producer, left ATV's studios in Birmingham refusing to comment on the talks or the decision to scrap Noele's role as motel owner Meg Mortimer.
But it is understood that the meeting was called to assure other members of the cast that their jobs were safe.
Rumours have swept showbiz that Noele's departure was only the first of many from the much-loved series.
Noele was in tears before he arrived. But she left smiling, with co-star Tony Adams, 41, who plays Adam Chance in the series.
And later it was confirmed that she had been asked to play the mother of stripper Gipsy Rose Lee in a stage show opening in November at Leicester's Haymarket Theatre...Sunday Mirror, June 28, 1981:
Sacked Crossroads star Noele Gordon made a dramatic eleventh-hour plea to ATV boss Lord Lew Grade to save her job.
She asked if there was any way she could carry on for a further six months with a new contract.
But Lord Grade was unable to help. He said yesterday that he had put Noele's request to ATV's Director of Programmes, Charles Denton.
It was Mr Denton's decision to sack Noele, who plays the motel matriarch, Meg Richardson.
Lord Grade said: "Noele's agent asked if there was any way for her to carry on.
"I asked Charles Denton if it would be possible to consider it. His reply was the he didn't want to change his plans, and that it would be nice to start the next season with something new and exciting.
"I just put the point to Charles. I didn't ask him to reconsider.
"I am not allowed by the Independent Broadcasting Authority to interfere in any programmes."
Lord Grade also revealed that Noele had had a massive change of heart about Crossroads.
"About a year ago, Noele came to me to say that she wanted to leave the programme, but I persuaded her to stay," he said.
"She is a very sweet person, and has worked very hard for Crossroads and ATV. But I do not know whether she has any future role in the network."
Mr Denton, 43, said that since Noele's sacking he had received hundreds of protest letters from fans, among them two death threats.
One, he claimed, came from the Birmingham chapter of the Hell's Angels. "I really didn't know there were such Crossroads fanatics," he said...
Daily Mirror, 19 October, 1981:
Meg Richardson and her Crossroads crew were all at sea yesterday as yet another version of her departure from the TV soap opera was filmed.
Meg, played by actress Noele Gordon, waved a fond farewell to her screen daughter Jill, played by Jane Rossington, from the stern of the liner QE2.
The storyline of the scene, filmed at Southampton, has Meg quitting her motel and emigrating to Australia.
But it is only one of seven possible endings which have been recorded.
These include a fire which guts the motel, and some scenes have shown a funeral.
The actual ending is being kept a big secret.
No one except producer Jack Barton knows the answer - and even he's not sure.
"I shall be deciding which ending to use on the day the programme is screened," he said.
Daily Mirror, October 27, 1981:
Crossroads star Noele Gordon pleaded for her life yesterday. She wants a happy ending when she is written out of the TV soap opera next month.
So far the veteran star of the serial has filmed five endings - four tragic and one happy.
They include losing her life in a motel fire, taking an overdose of pills and a graveyard scene.
The one that will be finally used is ATV's best kept secret.
But Noele is hoping her TV bosses will use the happy one where she sails off into the sunset on the QE2.
She said: "During the QE2 scene the sun started to shine, the flag flapped at the right time and it all looked very pretty. That is the way I want to go."
Noele started rehearsals yesterday for a leading role in the £250,000 musical Gypsy which opens at Leicester's Haymarket Theatre in December.
But she is still bitter.
She said: "After twenty-six bloody hard years with ATV, for someone to say to me 'All good things must come to an end and we don't want you any more' - well, I didn't like that."
The Sun, 5/11/1981. The article, by Baz Bamigboye, read:
Crossroads mania swept the nation last night after the TV motel went up in flames with boss Meg Mortimer apparently inside.
Producer Jack Barton said: "In the run-up, fans have been led to believe that Sam was going to start the fire, but that is wrong."
In last night's episode, viewers saw Meg Mortimer walk into her room and put some pills on the table, along with a note to her daughter Jill (Jane Rossington).
At the last minute, as the motel staff were enjoying a bonfire-night party outside, Jill glanced around to see the motel in flames. She screamed: "Mum! Oh my God!"
The ending was the signal for viewers to seize their phones.
An ATV spokesman said: "There have been hundreds of calls at ITV stations around the country."
He added that the "whole nation had gone wild" about Meg - whose sacking from Crossroads caused an outcry.
An ATV switchboard operator said: "We've had scores of people crying down the phone, making no sense at all."
Crossroads addict Mrs Lynda Belcher, of Great Shefford, Berks, said: "I wish they hadn't left us in suspense. It's terrible that they are writing Meg out of the series."The Sun, November 12, 1981.
The QE2 ending was used and Meg sailed away, unaware that the motel was in ashes.
Daily Mirror, August 19, 1983.
A brief return to Crossroads for Noele Gordon...
Meg Mortimer toasts the bride and groom in a TV scene that Crossroads fans thought might never happen.
Meg, boss of the Crossroads Motel for 18 years, was written out of the soap opera two years ago.
Now, in a new episode, she is reunited with her TV daughter Jill who is honeymooning in Venice with husband Adam Chance.
Meg, played by actress Noele Gordon, is making two guest appearances in Crossroads. But she admits there are no plans for a permanent return.
In 1985, Phillip Bowman took over as Crossroads producer from Jack Barton and planned to bring Meg Mortimer back as what he called a "permanent occasional" character. Plans were well advanced when Noele Gordon, afflicted with cancer, died.
At the motel, Meg was having a disco, and at the Brownlows' Arthur set the table cloth on fire (?!). The new Butlin's commercial, complete with the "Butlin it Once and You'll do it Again" ditty lights up the break, together with an advertisement for an indigestion remedy featuring a Space Invaders style turkey.
1980 was a different planet.
In the wake of Noele Gordon's departure from the Crossroads serial, Jack Barton, Producer, made it plain that the show couldn't revolve around a single character in the future.
And so, at the motel, we had Barbara (Sue Lloyd) and David Hunter (Ronald Allen) running things with Jill Harvey (Jane Rossington) and Adam Chance (Tony Adams). Not a particularly cosy set-up as David and Adam did not get along, and David could not shake off his suspicions that Adam's interest in Jill was not entirely honourable.
The closest we came to a Meg-style linchpin in this new set-up was Barbara - but she had other fish to fry, like writing best selling novels, and refused to be tied totally to the motel.
Elsewhere, we had the Brownlows - lovable, motherly Kath (Pamela Vezey), grumpy Arthur (Peter Hill), frumpy Glenda (Lynette McMorrough) and her newish husband, Kevin Banks (David Moran) - the couple had married in 1981.
The not-so-cosy boarding house belonging to Mavis Hooper (Charmian Eyre) had been introduced in 1981- Mrs Overall, who was first seen in Acorn Antiques in 1985, was Mavis's "lookey likey".
With waitress Diane Hunter (Susan Hanson) cleaner and kitchen help Doris Luke (Kathy Staff) and the Crossroads Garage staff - including Sharon Metcalfe (Carolyn Jones), Benny Hawkins (Paul Henry) and Joe MacDonald (Carl Andrews), the motel marched on post-Meg.
And then came a stroke of genius on the part of the writers and production team.
Businessman J Henry Pollard (Michael Turner) had first appeared in the Crossroads saga in 1980, along with his daughter, Miranda (Claire Faulconbridge).
In April 1982, we finally got to meet Mrs Pollard. Mrs Valerie Pollard, J Henry's wife, who apparently loathed him dearly and had been forced to travel from her home in Bermuda to England when J Henry suddenly cut her funding.
Val, played by the very excellent Heather Chasen, enjoyed the good life - luxurious accommodation, travel-on-a-whim, wonderful food, lots of beach romeos...
And then, suddenly, there she was trapped at the Crossroads Motel, where she would stay, her ever-loving hubby informed her, and become a good and loving wife.
Otherwise, J Henry would divorce her and she could rest assured that, with his best lawyers on the case, she wouldn't be getting any wonderful divorce settlement. She would get nothing.
Valerie hit back - and hit back hard, seducing and bedding Adam Chance on his boat. Jill was devastated and Adam left the motel.
What a bitch was Valerie...
But she wasn't only a bitch. Languid and witty, she was also capable of good deeds...
And, of course, under the veneer of vehement dislike, she actually cared for J Henry very much indeed...
And he cared for her.
With daughter Miranda on-and-off the scene, the Pollards were a complicated family. J Henry was not keen on showing his feelings, Valerie could be devious and Miranda was often headstrong and immature.
But they livened up Crossroads no end! I hadn't been particularly impressed by the father/daughter J Henry/Miranda set-up we'd been treated to (on occasion, the characters were not permanent regulars) since 1980. But with Val on the scene from 1982 onwards, the Pollard "thing" really got some zing!
And, with her huge wardrobe of swish clothes, plus her tendency to toy with the peanuts and her "Pussyfoot Special" at the bar, Valerie was a very stylish person indeed.
Although the character only appeared (intermittently) from 1982-1985, the memory lingers...
From the Sun - £10 telly-view reader's letter, 29/5/1982:
Heather Chasen has brought a refreshing touch of good acting to "Crossroads".
Her haughty but not over-acted Valerie Pollard makes the show worth watching for a change.
Mrs DL, Norfolk.
Time warp back to 1982 and view Valerie's arrival at Crossroads below.
Sid Hooper (Stan Stennett) and Joe "Mac" MacDonald (Carl Andrews) work together in the motel garage. Mac likes Sid's sleeveless cardigan but isn't too sure about the pink shirt. Sid can't wait to get down to The Running Stag to show off his exciting new look.
Here's catering manager Paul Ross (Sandor Elès), known to the staff as "Mr Paul", who arrived at the motel in 1982 to act as a spy for one of the directors. A real "one for the ladies", Mr Paul could be described as an "un-spot changing leopard".
"The woman gets daffier by the day," mutters her husband Adam (Tony Adams). "Fortunately, this should be great publicity for the motel and the knitwear people are paying us on top of that. Not a bad day's work..."Glenda Banks (Lynette McMorrough), motel waitress, was thrilled with the rustic jumper: "I think this really suits me - can't wait for Kevin to see it!"
"Quite right, Kath, it's turning right parky out - I said to Benny, 'Time you 'ad a new 'at, my lad'..." - Doris Luke (Kathy Staff), motel cleaner.
Bringing back Motel memories - the YouTube 1983 cliffhangers selection...
Friday, 22 May 2009
Gavin has written:
I'm too young to remember the original broadcasts of Crossroads, but I saw the '80s episodes on UK Gold some years ago and became a great fan of the late Pamela Vezey as Kath Brownlow/Fellowes.
I read on IMDB that Pamela Vezey played Kath from 1976 to 1987, and have recently purchased Network DVD Crossroads episodes from the mid-to-late 1970s to see more of Kath's story - but she isn't in any of them and Glenda, her daughter, only appears periodically.
What's going on, please?
Well, Gavin, firstly, we share your feelings about Pamela Vezey's portrayal of Kath - she was absolutely spot-on and the character seemed very real. There were Kaths in households up and down the land.
The reason why Kath does not appear in your Network DVD 1970s episodes is simple: she wasn't around. The character of Kath Brownlow appeared very briefly in 1976 as part of the Glenda rape story-line. She was then played by actress Hilary Martin.
Glenda (Lynette McMorrough) appeared on-and-off until late 1979 when it was decided that her family would move to King's Oak. And so, Pamela Vezey and Peter Hill made their debuts as Kath and Arthur, with Ian Liston as their son Ron.
Glenda became a full-time character, too!
In 1980, David Moran appeared as Kevin Banks (he married Glenda in 1981) and Angela Webb as the enjoyably twisted Iris Scott, Kath's niece.
To sum up: the IMDB entry is misleading as it does state that Pamela Vezey was Kath from 1976 to 1987, when in actual fact Kath was a brief passer-through in 1976, played by actress Hilary Martin, and permanent only from late 1979 to 1987 - played by Pamela Vezey.