Thursday, 27 August 2009
Crossroads - the Drama Of A Soap Opera - By Dorothy Hobson - 1980s
The book, Crossroads The Drama Of A Soap Opera was published in 1982, and Dorothy Hobson was obviously at the studios in 1981 because she was there when Noele Gordon was sacked. But books like "Cultural Closure - The Arts In The 1970s", edited by Bart Moore Gilbert, claim that her interviews with the female viewers were all done in the late 1970s (or so Stuart Laing says). Is this so?
Piffle and bunk. Crossroads emerged as a popular show with female viewers when Dorothy Hobson began conducting interviews in the late 1970s, but her Crossroads-relevant interviews took place in 1981, as story-lines from 1980 and 1981 are mentioned by the interviewees - as was the character Kate Loring (arrived in 1981), and the Brownlows (the family did not arrive until late 1979).
Ms Hobson first gained access to the Crossroads studios in the late spring of 1981 - according to her book. I quote:
In the event it was not until the late spring of 1981 that I managed to gain access to Crossroads, and the period when I was watching the production and viewing with the audience coincided with the period before Noele Gordon was sacked from the company.
So, from the horse's mouth, there you have it - Ms Hobson gained access to the studios in the late spring of 1981, and then began watching the production of the show and viewing it with the audience.
Many things (in general) written about the 1970s are actually about the 1960s and 1980s. I don't know why. I sometimes think it happens too often to simply be mistakes! It's as though the '70s must be hyped!
And on the same theme...
Gary Arnold asks:
Crossroads 2003 and Beyond claims that the show went into colour in 1970 -
"The programme goes into colour enabling Meg’s dresses to be seen in all their floral glory."
But I thought it was 1969?
Yes, it was 1969 (sigh). See what I mean?
Friday, 21 August 2009
Some 1982 Crossroads Cliffhangers...
Thank you, YouTube! Included here are Jill Harvey (Jane Rossington) attempting to intervene in some marital strife between Barbara (Sue Lloyd) and David Hunter (Ronald Allen), the tragic death of Arthur Brownlow (Peter Hill), and the agonising story of whether or not Kate Hamilton (Frances White) had killed casino owner Tony Moran (John Laurimore).
1980: Rosemary: "David... Say You Love Meee... SAY IT!!"
Motel owner Meg Mortimer (Noele Gordon) was about to announce the engagement of her business partner David Hunter to novelist Barbara Brady at a party to celebrate the occasion. Rosemary, in the past known for her neurotic tendencies, had begun to behave strangely.
American psychiatrist, Lloyd Munroe (Alan Gifford), an old friend of Meg's, told Rosemary off, pointing out to her that she'd been: "...threatening me - and David and Barbara - with threats of suicide."
Lloyd was doing his best to help, but was trying to convince Rosemary that she didn't love David, she actually hated him, really the right thing to do?
Particularly as it seemed that Rosemary may have stolen a gun, and Lloyd was fully aware of that fact?
Everybody, including Rosemary's daughter-in-law Diane Hunter (Sue Hanson), was in a state of high tension and the night of David and Barbara's engagement party saw an anxious discussion in the reception area at the motel.
Old favourite Tish Hope (Joy Andrews) was larding it up behind the reception desk, and tried to speak sense to Rosemary, but Rosemary hung up on her.
Something horrible was about to happen.
Rosemary left the engagement party before Meg made the happy announcement. David (Ronald Allen) and Barbara (Sue Lloyd) were overjoyed, but there was an underlying anxiety about Rosemary.
Rosemary gave waitress Glenda Brownlow (Lynette McMorrough) a note for David - requesting his presence in the motel office...
When he arrived she asked him to say that he loved her, and turned quite sarky when he refused...
Suddenly, Rosemary pulled out A GUN!!
"David... say it... tell me you love me... SAY IT!" she whined menacingly. When he refused, she shot him.
Of course, all was well. David was discovered by Meg and made a full recovery, Rosemary underwent psychiatric treatment and was never seen again, and that was that.
According to legend, the reason for David's somewhat informal attire at his engagement party had its roots in a behind-the-scenes mishap. When Janet Hargreaves first pulled the trigger of the gun, it didn't go off. But Ronald Allen had already broken the bag of stage blood, ruining the suit he was wearing.
It seems that the Crossroads wardrobe allowance could not run to another suit!
Acorn Antiques
1985 gave us Victoria Wood As Seen On TV and I woz very happy indeed. Victoria's way of highlighting the daft things people come out with ("my Yale's under my Wincey Willis"), the quirkiness of life, the humdrumness of life, and on one memorable occasion (The Swimmer) the sadness of life, went down an absolute treat with me.
Acorn Antiques was a spoof soap opera, seen on As Seen On TV, and based largely on Crossroads. Its characters and situations held appeal for Crossroads fans past and present.
I well remembered Tish Hope (Joy Andrews) and Meg Richardson (Noele Gordon) larding it up behind the motel reception desk (Tish first joined Meg there in the late 1960s, and last appeared in 1980. Poor Meg, of course, was finally smoked out in November 1981). Miss Babs and Miss Berta, the proprietors of Acorn Antiques, contained echoes of these characters - well, at least in their managerial roles and dress sense!
Mr Clifford was David Hunter; Trixie was a mixture of peril-stricken Jill Richardson and devious Iris Scott.
In a recent BBC interview, Victoria Wood was asked:
"So, was Mrs Overall based on Noele Gordon from Crossroads?"
She replied:
"No, if it was based on anyone, it was based on Amy Turtle or Mrs Mack from Take The High Road. It was a homage to Crossroads but also to a terrible radio series called Waggoners' Walk which was on then."
But back in the 1980s I heard no comparisons being made between Mrs O and Mrs Turtle or Mrs O and Mrs Mack. Mrs Overall's position as char at the antiques shop may have been based on Amy's old job at the motel, and her name, like Mrs Mack's, was certainly suggestive of an item of clothing, but the character's physical appearance, voice and mannerisms were immediately evocative of Charmian Eyre's Mavis Hooper, the miserable King's Oak boarding house keeper from 1981 to 1985.
She even wore the same type of overall!
As Crossroads moved upmarket in real life, so did Acorn Antiques. As with the motel saga, verticle blinds appeared in the Acorn Antiques opening sequence (they didn't work) and a new health and leisure centre (with sun beds) was built at the shop.
Acorn Antiques also drew inspiration from EastEnders, with Miss Babs apparently warbling a song called Anyone Can Break A Vase, which was (in fiction) released on vinyl. Unfortunately, we never got to hear it!
1981: The Sacking Of Noele Gordon, The Departure Of Meg Mortimer...
Noele Gordon after news of her sacking from Crossroads was made public.
Whatever people thought of Noele Gordon and Crossroads, there was no doubt that the two went together like bacon and eggs - and had done since the very first episode way back in November 1964.
The announcement that Noele had been sacked from the show exploded upon the media on 22 June 1981. And Crossroads fans were stunned.
The "Save Our Meg" campaign - the Sun, June 24 1981.Crossroads boss Jack Barton yesterday faced the cast of the TV soap opera for the first time since the Big Sacking Shock.
He saw them for a 20-minute crisis meeting folowing the surprise dismissal of Noele Gordon, the show's top star for the last 17 years.
Mr Barton, the programme's producer, left ATV's studios in Birmingham refusing to comment on the talks or the decision to scrap Noele's role as motel owner Meg Mortimer.
But it is understood that the meeting was called to assure other members of the cast that their jobs were safe.
Rumours have swept showbiz that Noele's departure was only the first of many from the much-loved series.
Noele was in tears before he arrived. But she left smiling, with co-star Tony Adams, 41, who plays Adam Chance in the series.
And later it was confirmed that she had been asked to play the mother of stripper Gipsy Rose Lee in a stage show opening in November at Leicester's Haymarket Theatre...
Sunday Mirror, June 28, 1981:Producer Jack Barton said: "In the run-up, fans have been led to believe that Sam was going to start the fire, but that is wrong."
In last night's episode, viewers saw Meg Mortimer walk into her room and put some pills on the table, along with a note to her daughter Jill (Jane Rossington).
At the last minute, as the motel staff were enjoying a bonfire-night party outside, Jill glanced around to see the motel in flames. She screamed: "Mum! Oh my God!"
The ending was the signal for viewers to seize their phones.
An ATV spokesman said: "There have been hundreds of calls at ITV stations around the country."
He added that the "whole nation had gone wild" about Meg - whose sacking from Crossroads caused an outcry.
An ATV switchboard operator said: "We've had scores of people crying down the phone, making no sense at all."
Crossroads addict Mrs Lynda Belcher, of Great Shefford, Berks, said: "I wish they hadn't left us in suspense. It's terrible that they are writing Meg out of the series."
The Sun, November 12, 1981.The QE2 ending was used and Meg sailed away, unaware that the motel was in ashes.
Opposition leader Michael Foot is inspired by the blaze at the motel in this Franklin cartoon, November 5, 1981.Christmas 1980...
At the motel, Meg was having a disco, and at the Brownlows' Arthur set the table cloth on fire (?!). The new Butlin's commercial, complete with the "Butlin it Once and You'll do it Again" ditty lights up the break, together with an advertisement for an indigestion remedy featuring a Space Invaders style turkey.
1980 was a different planet.
1982: Heather Chasen As Valerie Pollard...
1984: Model Knits At Crossroads
Sid Hooper (Stan Stennett) and Joe "Mac" MacDonald (Carl Andrews) work together in the motel garage. Mac likes Sid's sleeveless cardigan but isn't too sure about the pink shirt. Sid can't wait to get down to The Running Stag to show off his exciting new look.
Here's catering manager Paul Ross (Sandor Elès), known to the staff as "Mr Paul", who arrived at the motel in 1982 to act as a spy for one of the directors. A real "one for the ladies", Mr Paul could be described as an "un-spot changing leopard".
"Oh darling, that pullover is so you!" trills Mrs Jill Chance (Jane Rossington), one of the motel's directors.
"The woman gets daffier by the day," mutters her husband Adam (Tony Adams). "Fortunately, this should be great publicity for the motel and the knitwear people are paying us on top of that. Not a bad day's work..."
Glenda Banks (Lynette McMorrough), motel waitress, was thrilled with the rustic jumper: "I think this really suits me - can't wait for Kevin to see it!""Ooh, it does suit you, Glen, it's ever so nice - just the thing for the winter evenings." - Kath Brownlow (Pamela Vezey), motel housekeeper, and Glenda's mother.
"Quite right, Kath, it's turning right parky out - I said to Benny, 'Time you 'ad a new 'at, my lad'..." - Doris Luke (Kathy Staff), motel cleaner.Bringing back Motel memories - the YouTube 1983 cliffhangers selection...